Taiwan Classes 台灣課程

CLASSES WITH WARREN EAGLES

December 9-12 2019

 2019年12月9日至12日

台北市內湖區南京東路6段346號3f之二(極限色域 X-Gamut)

2019 年底將舉辦多種針對不同經驗調光師所設立的課程,新的課程不僅精彩,更有許多優惠好康。(課程會有中文翻譯人員,所以不必擔心語言聽不懂的問題)

 

SG101 Shoot to Color 拍攝 - 過檔 - 剪輯 - 調光 - 交片(December 7, 2019)

RG 180 Intermediate Resolve Techniques 進階課 (December 9-10, 2019)

RG 301 Looks and Matching Masterclass 大師班 (December 11-12, 2019)

以上課程由業界知名調光師 Warren Eagles 主講, Warren Eagles 時常在世界各地教 Resolve課程,像是雪梨、柏林、倫敦、紐約、洛杉磯與新加坡等;這次凡報名兩個課程者即有85折優惠,報名三個課程者則享8折優惠!

 

他很期待再次來到台灣,並將他的調色知識傳播到當地和周邊的電影業。如果您有任何疑問,可以直接與他聯繫。課程內容或更多預訂訊息,請聯繫 luke@stonesoupproduction.com

I am really pleased to be going back to Taiwan  to offer some new Davinci Resolve classes. The price is significantly cheaper than our other locations because it is a BYO (bring your own) machine class. That means you will need a Resolve 16 compatible Mac or Windows machine. All Media and a number of Ripple control surfaces will be supplied for the duration of the classes. 

Looking forward to going to being back in Taiwan and spreading my color correction knowledge to the local film industry. Please contact me directly if you have any questions regarding the content of the classes. weagles@icolorist.com

For more booking information, or if you're booking directly from Taiwan, please contact Luke Cameron - luke@stonesoupproduction.com

Regards

Warren

 

SG 101: SHOOT to Grade 拍攝 - 過檔 - 剪輯 - 調光 - 交片 

這是ICA所提供的新課程。在課程過程中,我們會先從使用不同的三台攝影機拍攝(RED、Blackmagic、Sony)然後探討如何透過思考後期調光時所需要進行的處理,來調整你的拍攝方式,並且進行事先計畫好讓你在後期的工作能夠順利進行。雖然說對專業人士來說並不常見,但我們也會加入一些有時會發生的”失誤”然後讓學員練習如何在後期調光過程中在Davinci Resolve裡救回來。每台攝影機都有自己不同的特性,所以在許多製作案當中都會碰到要需要讓不同攝影機的畫面能夠匹配連戲的狀況。In this new course from the ICA we will start with a 3 camera shoot ( RED, BMCC, SONY) and dive into how you should shoot for the grade and pre plan your shots to make your life easier in post. However this doesn’t always happen so we’ll be making some common mistakes on this shoot and then learning how to ‘fix’ or match them correctly in Davinci Resolve. Not all cameras look the same so matching cameras is a common problem all productions face.

 

這個課程對於想要接觸Davinci Resolve跟Frame.io的影視工作者將會是絕佳的機會。本課程非常適合初學這些軟體的使用者,即使沒有使用經驗也可以參加。不管任何電腦軟體,在最開始的時候以正確的方式學習,將會是未來進階技巧的良好基礎。

This class is an excellent introduction to working with DaVinci Resolve and Frame.io. It is ideal for first time users and you do not need any experience to attend. It is important when learning any software to learn the correct way, that will then form a great foundation going forward.

 

本課程最多只收15名學員。我們建議來參與的學員帶他們自己已經安裝好Davinci Resolve的筆電來參與課程。學員們將會獲得我們在拍攝過程中所拍攝到的影片,好在後製課程中進行練習。Class size is capped at 15 students. Attendees are encouraged to bring their own laptop with Davinci Resolve already installed. You will get the footage we shoot so can follow along with the Post Production side of the class.

 

這個課程混合了Resolve的操作面以及在實際拍攝過程中可能會遇到的工作流程問題。課程進行方式輕鬆有趣,我們鼓勵學員提出問題,學員們的參與在本課程中是重要的環節。The class mixes the operational side of Resolve with real world workflows and problems that might happen while shooting. It is run at a relaxed pace, questions are encouraged and group participation is a key part of the course.

 

本課程非常適合小型製作公司,”一人拍攝團隊”,剪接師、DIT、攝影師、平面攝影師,或是任何想要多瞭解調光跟影片工作流程的人。This class is ideal for small production companies, ‘1 man band content creators’, editors, DITs, DPs, and Photographers, basically anybody with a desire to learn more about color correction and workflows.

 

You Will Learn 在本課程中你將會學到:

。多台不同品牌型號攝影機同時拍攝時的最佳工作方式 

  • Best practices for multi camera shoots

。完整的資料備份軟體介紹,讓你在拍攝過程中正確備份你的拍攝素材

  • Complete overview data wrangling software to backup your footage successfully.

。輸出調光效果或是LUT給剪接師、製作人或是特效團隊

  • Exporting with color correction or a LUT for the Editor, Producer and VFX team.

。在Resolve建置剪輯專案以及時間軸以進行基礎剪輯

  • Exporting with color correction or a LUT for the Editor, Producer and VFX team.

。將不同品牌型號攝影機的色調調成匹配連戲的影像,該從哪裡著手呢?

  • Matching our sequence with different cameras: Where do you start?

。初級調光 Primary Correction

。次級調光 Secondary Correction

。對於不同的攝影機檔案格式的基礎瞭解 A general look at different camera formats.

。完成專案並算圖輸出到Frame.io、Vimeo或是ProRes的專業交片格式 

  • Finishing and rendering to Frame i-o, Vimeo, ProRes Master

 

誰該來參加呢?Who Should Attend?

 

這是一個初級課程,目標是讓你能夠把你參與的製作案品質更上一層樓。我們鼓勵學員多提問並參與互動。

攝影師、剪接師、攝影指導、DIT、導演、社群媒體內容製作者、需要包辦製作流程不同階段的製作公司員工也歡迎來參加

This is a 101 level class that aims to take your projects to the next level. Questions and student participation is strongly encouraged.

Cinematographers, editors, DPs, DITs, directors, Social Media producers and production company individuals who do everything are all welcome to attend.

講師 Instructors:

 

所有ICA的講師們都在業界有至少五年以上的經驗,

他們是線上的調光師、剪接師以及特效專家。

All ICA instructors have at least five years experience in the industry.

They are working colorists, editors and VFX artists.

 

所有參與課程的學員都會獲得ICA的認證證書以及一些素材檔案。

All students on this course receive an ICA Certificate and selected media

For more information or to book a spot, click HERE.

更多的資訊或報名,請點這裡。

 

RG 180: Intermediate Davinci Resolve Techniques

您在使用Resolve軟體上有節點結構、流程、或在不同攝影機裡有不同調色的問題嗎?

如果有,那這課程是您需要的!

基本上此課程是對於目前的Resolve使用者或是參加過我們RG101課程的學員、學過線上課程、甚至是自學者都可以參加,它將帶領您更上一層。

我們注重調色師第一次開始為客戶工作時,把之中的技術應用在最新的Resolve軟體上;同時也針對在8bit對10bit、422對444、色彩空間、macro blocking、和一般會發生的問題上。

 

 

 

 

 

 

ICA使用的題材是來自各種不同性質的攝影機,所以調色師每天都會面對不一樣的挑戰。此課程人數控制在10位左右,是希望學員都能用到電腦操作,或是自帶筆電;另外我們也鼓勵學員準備自己的題材來課堂練習。課程內容設計是從總覽所有題材到Resolve軟體,以有效率、策略性方式帶領學員完成整個題材呈現。

You Will Learn 課程學習重點:

  • Start with a complete look at the Resolve, and what tools are great for the colorist?

        什麼是調色師最好的工具?完整了解Resolve軟體。

  • Dailies including sound sync, watermarks, and burnt-in text for editors.

        工作的樣片包含音效同步、浮水印、置入字幕給剪輯師。

  • Use the Clone and Media Management tools.

        使用Clone和影音管理工具。

  • Grade a look for editing from the 4K RAW camera files.

        從4K RAW攝影機檔案裡調色一個影像外觀來剪輯。

  • Render 1920×1080 ProRes or DNxHD for editing, compressed H264 for the clients, and DPX or EXR for the VFX team.

        提供ProRes 或 DNxHD 供剪輯使用,輸出 H264 供客戶用、 DPX或EXR 給視覺效果。

  • How to export correctly from a Resolve RAW timeline for editing in Avid/FCP/Premiere.

        如何從Resolve RAW時間軸正確輸出在Avid/FCP/Premiere中剪輯。

  • Conform the finished cut in Resolve using the XML, and what to do if it’s not correct.

        使用XML完成Resolve的題材,如果出錯該如何修正。

  • Bring in audio WAV files and compare the conform with the offline reference movie.

        匯入 .WAV音效檔和使用A拷比較套片結果。

  • Swap to the RAW camera files.

        將題材轉換成RAW檔。

  • Using the Media Management tool to copy just the media you need from the clients HDD.

        使用影音管理工具來複製客戶硬碟中所需題材。

  • Grade a complete project using advanced techniques on supplied material that you can take away.

        一個可以帶走的題材;使用進階的技術來調色在提供的素材上。

  • Complete Primary controls. Lift Gamma Gain, Offset, Curves, and LOG grading, and when to use each tool.

        完整首要的調色控制;三向色調調整、Offset、曲線與 LOG 調色,及如何使用。

  • 8bit versus 10bit? ProRes or DNxHD?

        8bit對10bit?ProRes 或是DNxHD?

  • Color spaces and 4K-8K larger resolutions explained.

        色彩空間和解釋4K-8K更大的解析度

  • “Conform versus Bake”: What are the pros and cons of each workflow?

        “Conform versus Bake”:每個工作流程的優缺點。

  • Grading dissolves and wipes in a baked timeline.

         在baked時間軸裡的疊化畫面和消除畫面進行調色。

  • How to animate shapes and framing with the key-framing tools.

         如何使用關鍵格工具繪製外形與結構。

  • Secondary grading, including the 3D keyer and Hue Curves.

         次要的調色包含了3D keyer和色調曲線。

  • Tracking controls, including the FX and Point Tracker.        

         追蹤控制包含FX和Point追蹤器。

  • Total Nodes and when to use each type including the Shared Node.

         總節點和如何使用每種類型與Shared Node。

  • Physically add grain and scratches from supplied ICA media.

         從ICA提供的題材中增加影像老舊及刮痕。

  • External mattes: How do they help us?

         外部遮罩:他們如何幫助調色師?

  • NR: we look at the different types.

         NR:各種不同類型介紹。

  • Creating multiple timelines.

         建立多個時間軸。

Instructors 講師

Warren Eagles is one of the founding members of the ICA. He has an extensive 25 year career with experience in all forms of color correction. 

Warren Eagles 是ICA的創辦人之一,他擁有二十五年以上在各種調色形式的廣泛經驗。

Certificates & Materials 證書&題材

All students taking this course receive an ICA Certificate.

所有參與課程的學員將給予ICA證書。

For more information or to book a spot, click HERE.

更多的資訊或報名,請點這裡。

RG 301 Looks & Matching Masterclass

Looks and Matching 大師班 :適合具有 Resolve 一年以上經驗的調光師。課程包含討論影片色調如何影響其中的情感;學習如何建立傳統電影、廣告與 MV 調色,以及和客戶的應對、建立色調與探索新色調。學員可以帶自己的素材來上課。

講師將解決每個段落鏡頭或攝影機所呈現出的不同挑戰,以不同的創造性方式來調色。學生們會有機會在安排的時間內做相同的事,就像在真實的情況當中,但講師扮演客戶的角色,然後由小組審視每個調色,模擬客戶在審視時的情形。我們也將會看到在題材狀況裡的最好做法,何時加以調色及何時做一般調色。了解講師如何在工作室裡與客戶應對和如何確保客戶他們會再次回來僱用你。創造既定的外觀並探索如何製作新外觀。備註:這是一種個人的藝術形態,所以只要玩得開心就好。

 課程內容:

  • 創意使用 LUTs

  • 使用 Resolve 外掛與預設

  • 在時間軸上預先放上節點

  • Log 調光 vs Lift Gamma Gain

  • 進階去背與曲線控制

  • Power Windows 創意應用

  • Spot colors

  • Bleach Bypass

  • 辛德勒的名單 - 色彩隔離

  • 日系透感色調

  • 底片感色調

  • 夜戲日拍色調處理

  • 古典黑白色調

  • 藍橘色調

  • 何時使用OFX插件

Here is a sample of some of the media used 以下是一些影片範例:

  • Beauty-type TV commercial shot on the BMCC. Great for doing very soft/mist type looks. Great for exploring the Resolve OFX Plugins.

        美的產品類型電視廣告用BMCC拍攝 - 非常適合做柔霧型的外觀,非常適合探索Resolve OFX插件。

  • A war sequence shot on Sony F3. Fantastic for a ‘Saving Private Ryan’ Bleach Bypass grade, a hot jungle look, or the classic Day for Night feel.

        用Sony F3拍攝的戰爭段落鏡頭 - 非常適合在 ” 搶救雷恩大兵“ 中調色漂白效果,熱帶叢林的影像,或是日光夜景的感覺。

  • “House of Cards” reconstruction of the classic Netflix show, shot on Arri Alexa. This includes dialogue and re-enacts the original scene.

        “ 紙牌屋“ 重製經典Netflix秀,用Arri Alexa拍攝。這包括對話與重新演出原始場景。

  • BMW TV commercial shot on Alexa that focuses on how we can make the car the star.

        BMW電視廣告用Alexa來拍攝,重點在我們如何讓車子成為明星。

  • TV station promo. Ideal for skin tones and matching.

        電視台推廣 – 目標在膚色與配色。

  • “Courtroom” problem grading challenge in ACES shot with the Arri Alexa, BMD Ursa Mini Pro, GoPro and Sony FS7 cameras.

        用Arri Alexa、BMD Ursa Mini Pro、GoPro和Sony FS7攝影機拍攝法院鏡頭的問題,使用ACES來挑戰調色

  • A “Peaky Blinders”-type BBC period drama graded with a soft highlight look, then an alternate hard grainy Bleach Bypass grade.

        浴血黑幫 – BBC時期影集,用柔和強光外觀調色,然後用老舊影像方式替代漂白效果調色。

Instructors 講師

Warren Eagles is one of the founding members of the ICA. He has an extensive 25 year career with experience in all forms of color correction. 

Warren Eagles 是ICA的創辦人之一,他有二十五年以上在各種調色形式的廣泛經驗。

Certificates & Materials 證書&題材

All students taking this course receive an ICA Certificate.

所有參與課程的學員將給予ICA證書。

For more information or to book a spot, click HERE.

更多的資訊或報名,請點這裡。

 

Testimonial 推薦者:

“I really enjoyed the course. This is an excellent class for anyone seeking to learn interesting and creative ways to grade the different types of digital material. The course structure makes it very enjoyable, easy to understand and gives you the necessary knowledge to stand out in this competitive industry. Warren inspires and motivates you to be a better colorist.”

“我真的很喜歡這個課程。這是一個很好的課程,針對於任何想要學習有趣和用創造性的方法來對不同類型的數位題材調色的人。課程內容會讓您感到非常有趣,易於理解,並帶給您必要的知識,讓您在這個競爭激烈的行業中脫穎而出。Warren能激發您成為一個更好的調色師。”

 

Carlos Cortez Climaco
Senior Colorist 資深調色師
Mexico City 墨西哥城

CT 102: Colorist Strategies  February 1-3. 2020年2月1日至3日(3天)

本課程專為影像製作人員、導演、攝影師、剪接師、視覺特效師、新秀調光師、助理調光師、DIT而設計。它涵蓋了豐富的色彩理論和色彩校正工具的詳細介紹,並深入剖析『顏色』在視覺的表相與心理和文化層面所扮演的影響力。讓你建立一套完整及有效的調光策略。本課程將會使用Resolve V16來進行範例解說,但內容不只是針對單一調色系統,對於橫跨不同調色系統的專業人員也非常有用。我們鼓勵學生帶影片來到課堂上進行討論。

This course is designed for industry professionals, assistant colorists,

and newer colorists. It covers colorist theory and a detailed look at

color tools. It also suggests grading strategies and session management

techniques. The course content is not system specific and is useful for

using and comparing all grading systems. Laptop systems are welcome

in the class. Participants are encouraged to bring frames or clips to

discuss during the class.

The first day covers colorist theories and explains the physical, psychological and cultural aspects of seeing. This leads to an understanding of how influential visual clues are in audience reaction and emotion. The course then examines the film, video and graphics and camera raw color tools that are available and how, when and why they might be used. We then cover best practices for color managed workflows and session management. You will learn about scene referred workflows, ACES, UHD, and HDR.

你將學習到 You Will Learn:

·  如何看待和應用『顏色』。How we perceive and react to color

·  解析度,色彩深度和動態範圍的真相。The truth about resolution, bit depth and dynamic range

·  如何使用log和linear的調色方法。Ways to work with log and linear grades

·  色彩校正的工具在不同媒材裡的演變歷史。How colorists make an image look great

·  了解為什麼主要的調色工具在每個系統上都是不同的。Why primary tools are actually different on every system

·  哪些技巧對於次級調色是最有效的。Which techniques are most effective for secondary grading

·  如何在調色時仍能保護影像的最佳畫質。What you can do to protect image quality

·  如何更有效率的調光。How to work faster

·  使用DI工作流程的不同方法。Ways to use DI workflows

·  如何與客戶合作。 How to work with clients

Certificates證書

All students on this course receive an ICA Certificate.在這課程所有的學生都會得到一張ICA證書

More information HERE

更多的資訊或報名,請點這裡。

CT 201: Advanced Looks & Matching February 4-5, 2020年2月4 日至 5日 ( 2天)

這是一個色調創作的實作大師班。 對任何具有實戰經驗的調色師(導演、攝影師、剪接師、特效師)課程 。課程從歷史角度介紹經典的影像調色風格,更利用不同的調光工具的特性來重新雕塑所追求的顏色風格。

我們將討論最常被客戶要求的風格,以及如何完成這些風格,並深入探討文化背後的意含與概念。每個參與者都可以根據自己的想法和目標來學習課程,除了課程中提供的影像之外,我們鼓勵每個人都使用自己的影像素材。本課程讓調色師們相互激盪創造力,有機會在沒有客戶的壓力下練習和嘗試新的想法,共同解決問題和分享經驗。

This is a hands-on operational masterclass for working colorists and freelancers.

The goal is to achieve new looks from old techniques.We look at grading styles

and looks that are frequently requested and discuss how to achieve them, along

with the cultural meanings or concepts they impart to a project. This course is an

ideal follow up to Colorist Strategies or other intermediate classes but is open to

any colorist with hands on experience. The class is valid for all grading systems.

The workshop begins with a presentation of standard looks from a historical perspective.

It then quickly moves into practical examples and experiments. Each participant can approach the course with their own ideas and objectives and everyone is encouraged to bring their own media to use in addition to the course media. This course is an exciting meeting of like-minded colorists and an opportunity to practice and try new ideas without the pressure of a client in attendance. Take advantage of this is a rare opportunity to sit together with other colorists to bounce problems and experiences around.

 

你將學習到 You Will Learn:

·  什麼是讓一個“色調”具有的代表性。What makes a “Look” iconic

·  “色調”和“風格”。The difference between a “Look” and a “Style”

·  電影中使用的顏色和對比度。Cinematic uses of color and contrast

·  如何分析和複製色調樣本。How to analyze and reproduce reference looks

·  調校黑白的最佳工具。The best tools for black and white

·  如何使用數位工具模仿傳統的化學跳漂白效果。How digital tools can imitate a chemical bleach bypass

·  何時靈活應用單色調和色偏。When to use color washes and color casts

·  不同的方法來處理“白天變黑夜”和“色調與時間的演變”。Different ways to handle day for night and time of day grades

·  如何應用次級調光工具。How to manage isolation effects

·  如何創造驚喜。How to have happy accidents!

Certificates

All students on this course receive an ICA Certificate.

在這課程所有的學生都會得到一張ICA證書

More information HERE

更多的資訊或報名,請點這裡。

CA 301 HDR Masterclass February 6-7, 2020年2月6日至7日

這堂課程適合所有在工作中將會用到ACES,HDR高動態範圍(包括Dolby Vision的HDR),UHD,Rec 2020和廣色域的調色師和業內專業人士。該課程從ACES和其他色彩管理工作流程開始,包括Dolby Vision的概述,看看這些最新技術如何讓調色的風格跟著改變,以及哪些工具能夠讓顏色更顯驚艷。每堂課都會有位翻譯,這位翻譯之前都在ICA的課堂上協助翻譯和幫忙。

HDR has been available to consumers since 2016 and is now the expected standard for Amazon and Netflix. It is supported by Sony, LG, Samsung, Apple and many more. HDR will become the new delivery format. Act now, be amongst the first to master HDR.

In this class you will learnt take full advantage of new workflows and develop new skills for HDR and other new standards. Ideal for colorists and industry professionals that will encounter ACES, High Dynamic Range (HDR including Dolby Vision), UHD, Rec 2020, and wide color gamut. We look at how grades and looks are affected by these new developments and which tools are most useful to achieve bigger better color.

You Will Learn 你將學習:

  • ACES file formats ACES文件格式。

  • ACES color spaceACES色彩空間。

  • ACES workflows / Grading ACES工作流程。

  • Dolby Vision 的掌握。

  • Understanding HDR and BT 2100 了解HDR和BT 2100。

  • PQ and BT 2084 PQ和BT 2084。

  • Grading HDR HDR調色。

  • UHD和rec 2020。

  • WCG交件格式。

 

 

 

 

Certificates證書

All students on this course receive an ICA Certificate.在這課程所有的學生都會得到一張ICA證書

More information HERE

更多的資訊或報名,請點這裡。

 台北 2018

售罊/SOLD OUT

售罊/SOLD OUT

售罊/SOLD OUT

售罊/SOLD OUT

CLASSES WITH KEVIN SHAW

February 1-7 2020

2020年2月1日至7日

台北市內湖區南京東路6段346號3f之二(極限色域 X-Gamut)

©2018 by Stone Soup Classes.